Showing posts with label science fiction tv. Show all posts
Showing posts with label science fiction tv. Show all posts

Tuesday, August 14, 2012

Star Trek: Deep Space Nine: The Complete Series (1993) Review

Star Trek: Deep Space Nine: The Complete Series (1993)
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With glee I write this review for my favorite show of all time.
If you passed on the Deep Space phenomenon at the time, you were'nt alone. Many who had interest in TNG didn't really take to DS9 at first, myself included. I started watching it again in the second season and it slowly grab held of me. There are a few bad episodes ("Melora" for one), but overall these are the most fascinating, imaginative stories ever collected into a series of any kind. It's a saga no doubt, a soap opera of sci-fiction, but Deep Space went so much further. With great special effects and audio, the production value alone was entertaining. But the episodes were extremely dark at times too, with the greatest characters, a healthy budget and fantastic writing. This combination led "Kira" in an interview to state that she believes this will be one of the most time enduring Television shows ever created. I really agree. It generally becomes a sleeker show over time, but always interesting and asking extremely dark moral questions. My favorite episode of all time "In the Pale Moonlight", I believe is in the sixth season. An episode where the absolute moral boundary of war is questioned and Sisko and Garek do the craziest sh*# to assure security for the federation. It's a Narly episode. Garek actually kills a Romulan Senator by sabotaging his craft and Sisko actually trades biogenic weapons material for information. All to draw the Romulans into the war against the Dominion, I was stunned. There's another episode where the Dominion actually engineers an attack against themselves in order to destroy the military of a planet inwhich they eventually occupy. The way the episodes fold back into one another, is masterful. Don't miss it, treat yourself to extraordinary, well-thought-out sci-fi for a change. I own them all and plan on hermetically-sealing them for future generations. :)


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Item Name: Star Trek: Deep Space Nine: The Complete Series (Seasons 1-7); Studio:Paramount

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Tuesday, July 24, 2012

Farscape Season 1, Vol. 11 - Bone to Be Wild / Family Ties (1999) Review

Farscape Season 1, Vol. 11 - Bone to Be Wild / Family Ties (1999)
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This DVD marks the end of season one and these two episodes are indicative of this great series. "Bone to be wild" is a good who do you trust episode. The crew while hiding in an asteroid field to avoid Crais and Scorpious are hailed by an unknown alien. Once meeting this alien they find that a creature is preying upon them as they find remains of previous victims. They are attacked by another plant like creature who is more than he seems. They find out that they only have a short time before the creature attacks again but who are they going to trust?
"Family Ties" sees Rygel up to his old tricks in trying to sell out his comrades to save his own green hide. But with Crais under arrest and Scorpious in charge he knows he has much of a chance to cut a good deal. He instead makes a deal with Crais and comes back to Moya with him. So Crichton is faced with one of his nemises, will he overcome the urge to take revenge? It ends with a great cliffhanger in this season finale. Look out for this one if you are a farscape fan or someone who enjoys a good drama and great acting, sci-fi or no. Enjoy:)

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"Bone to Be Wild": While hiding in an asteroid field from Crais' Command Carrier, Moya picks up an urgent distress call. As Aeryn stays on board to help the Leviathan bond with her newborn, Crichton, Zhaan, and D'Argo answer the call in hopes of finding charts that will steer them through the field. But the garden-like asteroid from where the distress signal originated holds only two inhabitants. One is a feral female; the other, a massive plant-like male. When each proclaim the other is a ruthless killer, Crichton, Zhaan, and D'Argo are forced between the two aliens--a place that makes them easy prey for one... or both!"Family Ties": When the crew fails to evade the pursuing Peacekeepers, one of Moya's own steals a transport and flees to the Command Carrier to betray the others in exchange for his own life! To deal with the treachery, Crichton devises a dangerous, possibly fatal mission that places them all in jeopardy. But the traitor finds a surprising collaborator on the enemy ship--one who will change the crew's destiny forever. Discover the nerve-shattering cliffhanger that had critics on the edge of their seats and fans screaming for more!

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Saturday, June 2, 2012

Lost in Space - Season 3, Vol. 1 (1965) Review

Lost in Space - Season 3, Vol. 1 (1965)
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Season 3 of Lost in Space had a very ambitious start. You could feel the excitement of the new direction the show tried early in this season. From the exciting and grand new theme to actually going into space more often, Season 3 did start out very well. However, the lazy writing to "comedic villain" of the week started to creep up by the middle of this volume.
Season 3, Volume 1 features some of the best episodes of the third season and a few approach the best or at least the most ambitious of the entire series. We start out with the action packed "Condemned of Space" where we see the Robinson's lift off, dodge a comet, loose the Robot in Space and come across a frozen prison. We move on to "A Visit to a Hostile Planet" where we feature one of the best of the series (though logic is out the window) where our crew returns to Earth of the Past. We take a trip to a comical yet original premise in "Kidnapped in Space" and then the traditional "crash" in Hunter's moon. And even when stuck on a planet for a while, they to attempt new fresh ideas, most notably some bonding between Don and Smith in "Space Primevals." And bad creature effects aside, "Space Creature" gave us one of the deepest Lost in Space episodes to date.
Near the end of this volume, it would seem that the writers milked all they could out of the return to action and adventure and had to settle back to farcical fantasy and the results not very good. We get three episodes in a row that pretty much sign the death certificate of the entire series. "A Day at the Zoo" puts the Robinsons in a traveling Zoo. "Two Weeks in Space" features the Jupiter 2 as a resort for fugitive aliens, complete with a cash register and badminton equipment. And "Castles in Space", while starting strong, falls on its face with a silver Mexican, Don making a mannequin in the likeness of a Mexican woman, and the robot getting drunk. If it weren't for the excellent "The Anti-Matter Man", this volume would have gone out on a horrible note.
Season 3, Volume 1 is presented in broadcast order I believe. This is a welcome change because prior video releases did not have them in this order and we often had illogical order to them being crashed and then back in space. The DVD transfers are good but again, a remaster would have been welcomed.
Season 3 rates way above season 2 in terms of quality but because of hitting rock bottom with some truly dreadful episodes, the show alas was doomed. Volume 1 of Season 3 features the strongest of the entire season.

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Irwin Allen's LOST IN SPACE is classic sci-fi adventure at its best. Take the journey to this inspiring, intergalactic space odyssey with America's favorite space family in the 60's TV classic - LOST IN SPACE!Continue your collection with the first volume of LOST IN SPACE SEASON 3 on DVD today! Watch for LOST IN SPACE SEASON 3 VOLUME 2 coming in June 2005.

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Saturday, April 14, 2012

The Twilight Zone - Collection 1 (1959) Review

The Twilight Zone - Collection 1 (1959)
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For those of us in the know, all TZ episodes have been available on DVD for quite some time, but in 40-some odd volumes that contained 3 to 4 episodes each and left you broke after about 20 volumes. Now, As I write this, we are a couple months away from being able to own the entire Twilight Zone series in a collection of 5 box sets,... Has Image Entertainment finally given TZ fans something worth emptying their pockets for? You bet.
Okay, so they still haven't put the series in chronological order. Don't wait -- this will probably never happen. It's an anthology series and there is no continuity here that absolutely demands you have the episodes in order. But what Image has done is put 9 volumes in each box set (Vols. 1-9 are contained in Collection 1) and made the cases a little more compact. These are great cases, by the way, and the box isn't just something to throw away either. The episodes in Collection 1 are among the most memorable: "To Serve Man", "Nightmare at 20,000 Feet", "Time Enough At Last", "The Lonely", "The Monsters Are Due On Maple Street", "The Invaders", and "It's A Good Life", to name only a few of the 35 episodes.
Quite simply, these releases (meaning not only Collection 1, but the 4 others) mean that you'll be able to own the series on DVD for [much less money than]it would cost you to buy the volumes individually...

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Rod Serling's classic TV exploration of the uncanny, the unknown, and the unforgettable takes you beyond the deepest realms of imagination! Filled with twists, turns, and compelling characters, this legendary series has remained continuously on the air since its initial run and remains as fascinating, frightening, and thoroughly entertaining for viewers today. Each set contains nine DVDs; Collection #1 features Volumes 1-9, 35 episodes including such fan favorites as "Time Enough at Last," "The Monsters Are Due on Maple Street," "The Invaders" and "To Serve Man." So pull up a seat and brace yourself for a fantastic voyage into...The Twilight Zone!

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Sunday, April 8, 2012

Star Trek Deep Space Nine - The Complete First Season (1993) Review

Star Trek Deep Space Nine - The Complete First Season (1993)
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Star Trek fans, I'm sure, will argue for decades over which of the Trek TV series was the best. But as a stand-alone Sci-Fi TV series, this one was the best I had ever seen. Just to let you know where I'm coming from, my other favorites include Blake's 7, Doctor Who, the original Star Trek series, and most of the Next Generation Series (post 1989).
Deep Space Nine had it all. It was the first Star Trek series to be produced after Gene Rodenbury passed away, and I think he would have been very proud. The series had a grand story arc from the very first episode. It increased the number of primary characters over that of 'The Next Generation.' It featured more female characters in commanding roles (most notably, Major Kira). It mirrored the post Cold War politics and instability of the Balkins / Slovakia / Eastern Europe, with its setup of the dimming Cardassian Empire and the newly-freed Bajorians. It also addressed the legacy of empires past. One only needs to see the bond between Chief O'Brien (ethnic Irish) and Doctor Bashir (ethnic Indian) to identify echoes of the British empire.
And let's not forget France, or for that matter, Casablanca! Deep Space Nine was a dense series. It had action, drama, romance, and a series-long homage to the classic film, Casablanca. It could have been called, "Everyone comes to Quarks." Quark is no Rick Blaine, but he does own a bar. And Odo is a very good redux of Captain Louis Renault. Add to that the familiar story of the spy-turned-tailor in the likeable character of Garak (the only Cardassian aboar DS9). In any case, it added a depth of romance and humor to the series. Furthermore, DS9 took advantage of a grand opportunity to further develop the Bajorians, Ferengi, and Cardassians as major players in the Star Trek universe.
And it should be mentioned that although Rick Berman and company downplayed early rumors that the series would be "bleak" and "much darker" than the 'Next Generation' series, it was still a very different Star Trek. The cinematography, set design, and music might have looked and sounded a lot like The Next Generation, but this Trek had a much more realistic storyline, with very powerful and often dark themes. This Trek had the highest body count of any previous or future series. Every major planet in the storyline - Earth, Bajor, Cardassia, and Qonos/Klingon are all devastated by major military attacks sooner or later in the series (with one of them nearly being destroyed altogether). DS9 (the station) itself was originally built as a Cardiassian prison, where countless Bajorians toiled and died. So although this series is part of the same glossy world as TNG, the themes and scenarios are much more realistic. This series was about suvival against the odds, and I think it pulled it off wonderfully.
This was a grand series about the struggle to survive and build trust among different races and worlds. And being a Star Trek series, it was also about management - how to manage people, build teams, and solve problems on the fly. I think any engineer, mechanic, or IT professional would love the new Star Trek shows, including this one for it's never-ending theme of problem solving and the demonstration of leadership skills.
But above all, a series can't work unless the characters are well-developed, and the story flows at a steady pace. And that's where DS9 excelled. In my opinion, 'The Next Generation' became a great series only when a solid story arc was established, and the crew of the Enterprise-D had acquired multiple missions to deal with the Romulans and fight the Borg. I assume, that could only be done when the future of the series was secured (thanks to strong ratings in syndication). DS9 hit the ground running when it premiered in early 1993, thanks, of course, to the success of TNG. It's characters were very well thought-out (most of them had solid backgrounds and personal interests established from the start), and only grew in depth as the series progressed. And the story arc was emphasized with some of the greatest season-ending cliffhangers I've ever seen. It is quite possible that the finale of the 1999 series (I think it was '99) when both Garak and Worf lost their love interests during an attack on DS9, was as dramatic and powerful as anything I had seen on other well-written drama series such as Homicide or Six Feet Under. In fact, Homicide was the only other TV show I watched between 1993 and 2000.
It could be years before all 7 seasons of DS9 are released on DVD. But let's hope Season #1 is released soon. And then the journey can begin again. This was one for the ages for Trekers and non-Trekers alike.

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20 episodes on 6 discs: Emissary Part I, Emissary Part II, Past Prologue, A Man Alone, Babel, Captive Pursuit, Q-Less, Dax, The Passenger, Move Along Home, The Nagus, Vortex, Battle Lines, The Storyteller, Progress, If Wishes Were Horses, The Forsaken, Dramatis Personae, Duet,In the Hands of the Prophets.

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Saturday, February 25, 2012

The Outer Limits (The New Series) - Sex & Science Fiction (1995) Review

The Outer Limits (The New Series) - Sex and Science Fiction (1995)
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This DVD contains six episodes from the second science fiction anthology series called The Outer Limits (the first series aired 1963-1965 on ABC). The Outer Limits television series aired on Showtime from 1995-2001 and then on the SciFi Channel from 2001-2002 (its last season). The series was an anthology series because the episodes rarely had any connection with each other, though there were occasions when storylines carried over to more than one episode, though sometimes these continuations of the story came seasons apart (which is easier to see on the Time Travel collection of episodes). I was unaware of the Showtime connection with the series, and had only seen episodes on SciFi, so this warning: there is nudity on four of these six episodes.
Special Features: On Side A: Outer Limits Story; and episode featurettes; on Side B: episode featurettes and "The Outer Limits of Sex and Science Fiction." (Don't forget to manually turn over the DVD or you will miss the other 2 episodes and featurettes (I had to physically turn over the DVD disc to see the side B stuff, maybe other DVD players can read both sides).
1) "Caught in the Act" - This episode is about a woman that is infected with an alien creature and finds herself with an uncontrollably need to mate (she had previously been "saving herself" for marriage). She "plays the field" and absorbs her partners into her, literally. The woman's boyfriend tries to help her. This 1995 season one episode (number 17 overall) stars a more healthy looking Alyssa Milano (as Hannah Valesic; TV: Who's the Boss; Charmed), Jason London (Jay Patton; Movies: Carrie 2; Dracula III: The Legacy), Saul Rubinek (Professor ; who appears in several Outer Limits episodes; Movies: The Singing Detective; Rush Hour 2), Garry Chalk (Detective Barnett; Movie: Superbabies: Baby Geniuses 2) and features Stephen Fanning (Karl; Movie: Father Xmas), Kavan Smith (Quarterback; Movie: Mission to Mars), Fred Henderson (John), Sarah Strange (Lisa), Shaun Johnston (Cop), Larry Musser (Clerk), and Garry Davey (Doctor). This episode was written by Rob Forsyth and contains female nudity. (4.34)
2) "Bits of Love" - This episode takes place around 2047 and is about a man that is in an underground bunker trying to survive after "the bombs dropped." The man has turned his bunker into a virtual reality simulation, somewhat like those simulators in Star Trek (though in this particular VR system, the man has to get into a special capsule to be able to touch the other characters in the program). This 1997 season three episode (1st of season) stars Jon Tenney (Aiden Hunter; Movies: Free Will 2; Beverly Hills Cop III; Lassie), Matthew Walker (Dad, Trevor Hunter), Sheila Larken (Mom, Francis Hunter; TV: Marcus Welby, MD; The X-Files), Steve Bacic (Griff Hunter; TV: Andromeda) and Natasha Henstridge (as Emma) and features Ingrid Kavelaars (Nicole; 1987 Miss Teen London; Movie: Dreamcatcher; TV: Jeremiah), Crystal Cass (Claire; Movies: American Dragons; Disturbing Behavior), and Brett Stone (Michelle; Due East). This episode was written by James Crocker (Twilight Zone; Stargate SG-1; Lois & Clark; ST:DS9; Simon & Simon; The Rockford Files), and contains female nudity. (4.34)
3) "Valerie 23" - This episode is about a man in a wheelchair that has been working on synthetic skin for a company. It turns out that the company has been creating a realistic android "companion," and the man is asked to test out the android. The man is reluctant but eventually agrees to test the machine as he is lonely. This 1995 season one episode (third overall episode) stars William Sadler (as Frank; TV: Wonderfalls), Sofia Shinas (as Valerie; Mary 25 in episode 4.15 of Outer Limits; Planet of the Pitts), Tom Butler (as Charlie; Freddy vs. Jason) and Nancy Allen (as Rachel Rose; Robocop; 1941; Carrie) and features Paula Shaw (Executive; Insomnia; Freddy vs. Jason), and Bruce Harwood (Technician, X-Files; Lone Gunmen; The Fly II). This episode was written by Jonathan Glassner (TV: Stargate SG-1; CSI: Miami; The Invisible Man; 21 Jump Street), and contains female nudity. (4.35)
4) "The Human Operators" - One of the few episodes in this collection that I had seen before, but only on SciFi, where it had been heavily edited (despite the heavy editing, I was slightly annoyed when I saw the episode on SciFi). This annoyance stemmed from the fact that I had seen previous episodes of this series on SciFi, had found them to be quite good, and praised the series to a relative. The first, and maybe only episode that this relative watched was this one, which I watched for the first time with them. I was somewhat embarrassed by the sexual nature of this episode. Well, years later, I've seen this episode again, and find that it is actually enjoyable. The episode is about intelligent spaceships (warships) that travel the stars trying to keep out of detection range of humans (they had been under the control of humans, and only came "alive" while under their control). These spaceships keep one human on-board to make repairs, and on occasion meet up with other ships so that they (the ships) can get their humans to mate to create the next generation of humans. The humans are treated quite badly. This 1999 season 5 episode (7th episode of the season) stars Jack Noseworthy (Man; Movies: Encino Man; Alive; TV: Elivs), Polly Shannon (Human Operator of Starfighter-88; Movie: Harvard Man), David Kaye, Noah Heney (Man's Father; Snow Falling on Cedars) and Malcolm McDowell (as the voice of Ship; Movies: A Clockwork Orange; Caligola; Blue Thunder; Milk Money). This episode was written by Naren Shankar (The Chronicle; Night Visions; UC: Undercover; CSI; Farscape; ST: Voyager; SeaQuest DSV; ST:DS9; ST:TNG) based on the short story by Harlan Ellison & A.E. van Vogt. This episode contains female nudity. (4.20)
5) "Skin Deep" - This episode is about a man, Sid Camden, that sees himself as being intelligent, but quite unattractive. Sid works for a company that has come up with a new product, which he is allowed to test out in the world. This product allows Sid to take on the shape of any human that has been recorded by it (there are some size and dimension requirements). Sid likes the device and abuses it (by, along with other things, pretending to be Chad Warner). This 2000 season 6 episode stars Adam Goldberg (Sid Camden; TV: Friends; Movies: Mr. Saturday Night; Son in Law; Edtv), Christiana Cox (Deb; Movies: Better than Chocolate; Jane Doe; The Chronicles of Riddick), Antonio Sabato jr (Chad Warner; TV: Earth 2; Joey), and Deanna Milligan (Gail) and featuring Linden Banks (Hal Taylor), Ted Cole (Chris), Claude Duhamel (Grant), Keith Provost (Bartender), Gaetana Korbin (Deb Model). This was written by Scott Peters (The 4400; Tracker; Highlander). No nudity. (4.25)
6) "Flower Child" An alien life form arrives on earth in the form of a plant. After taking over an apartment (after "eating" the former occupant), the plant grows into the form of a woman and attempts to lead the invasion for her alien plant-like kind. A couple move in next door and are entangled in her plot. This 2001 SciFi episode stars Jeremy London (Chris; Gods and Generals), Rebecca Reichert (Mia; The Perfect Score), Judy Tylor (Violet; Suddenly Naked), Kavan Smith (Allan), and Ken Tremblett (Tom; Pursued) and featuring James Cresceno (Sylvano; American Dragons) and Christina Jastzembska (Mary; Final Destination 2). This episode was written by Jeffrey Hirschfield (Starhunter 2300; Singles Court; Lexx; Mundo del Lundo, El). No nudity except behind a foggy shower door. (3.83)

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Caught in the Act:Hannah Valesic (Alyssa Milano) has a killer body...literally! When the formerly chaste beauty is taken over by a sinister force, her appetite for men becomes insatiable ? and murderous! Can her loving boyfriend put an end to her killing spree?Bits of Love:Earth's sole survivor, artist Aiden Hunter (Jon Tenney), has created a beautiful hologram, Emma (Natasha Henstridge), for companionship. But when Emma expresses an urgent desire for a baby, will she sever his cord to reality?Valerie 23:Can a little jealously be a good thing? Not for Rachel Rose (Nancy Allen), a physical therapist whose life is threatened when she comes between her paraplegic patient and his amorous robotic companion who is programmed to remove any obstacle that stands in her way.The Human Operators:Like other Star Fleet vessels, Ship (voice of Malcolm McDowell) has evolved and now controls the only human (Jack Noseworthy) aboard. But the relationship takes a dramatic turn when man fights machine in a desperate bid for freedom!Skin Deep:When a prototype image enhancer allows Sid Camden to transform himself into a handsome co-worker (Antonio Sabato, Jr.), he quickly begins enjoying the life his average looks denied him. But he soon discovers there's more to his new reflection than meets the eye.Flower Child:Alien plant life arrives on Earth, blossoming into the form of a beautiful woman who roots herself into the lives of Chris (Jeremy London) and his fiancée. But if Chris allows this new love to bloom, will he plant the seed for her species to rule the planet?

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Thursday, September 29, 2011

Doctor Who: The Tomb of the Cybermen (Story 37) (1975) Review

Doctor Who: The Tomb of the Cybermen (Story 37) (1975)
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The second doctor is the least known, since all but 5 of his stories were destroyed or mutilated by a house-cleaning at the BBC in the 1970s (the other intact Troughton stories are: "The Seeds of Doom," "The War Games," "The Mind Robber," and "The Dominators"). Troughton's doctor is one of the most appealing incarnations of the character. He's smart (of course), but also vaguely vulnerable and child-like. He has a good sense of humor and fun. And he handles all sorts of evil monsters with aplomb. It is a crying shame so many of his stories are gone completely, or mostly gone.
I was only a kid when this aired, and I can't recall it all (but I do remember the Ice Warriors from "The Seeds of Doom"). Now I have 6-year-old myself,and he *loves* Dr. Who, esp. this doctor, despite the fact that it's in black and white. Also, the title music during this phase of the show was at its very best. My son rocks out to it when it comes on!
Don't listen to the nay-sayers who complain about lack of production values. This is 40 years old, for f**** sake! What matters in Dr. Who is not set-design or the tiny budgets, but the active use of your imagination, great writing, appealing characters, thorougly evil monsters, and solid acting. "Tomb" has all of these traits in abundance. I love this version of the Cybermen, with their metallic voices and three fingers. They may be the best yet (though I've not seen the newest version of them yet).
All in all, an unreserved recommendation. I've watched it (with my lad, and a second who is approaching Who-worthy age) at least three times and loved every minute of it.

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Aided by his two assistants Jamie and Victoria, the Doctor lands the TARDIS on Telos, last resting place of the infamous Cybermen. There he discovers a band of archaelogists on a secret expedition to unearth the reason for his old enemies' extinction. In the underground shadowy depths, they find the icy tomb. A whole army in hibernation. A threat to no one, if the temperature remains low. But if the traitor in their midst gets his way, things could really heat up. Originally broadcast in 1967 and then lost, this unique four part adventure starring Patrick Troughton - the Doctor's 2nd incarnation - was only recently discovered. It is now available for the first time on this special BBC Video which includes an exclusive interview with director Morris Barry.DVD Features:Audio Commentary:by actors Frazer Hines and Deborah WatlingBiographiesDocumentaries: Tombwatch (panel of the cast and crew). Behind the scenes at BBC Visual EffectsOuttakes:unused title sequence and 8mm cine footageProduction Notes:Optional caption stream


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Wednesday, August 31, 2011

Sir Arthur Conan Doyle's The Lost World - Season Two (1999) Review

Sir Arthur Conan Doyle's The Lost World - Season Two (1999)
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The set includes six slender cased DVDs with twenty-two episodes. It is 16 hours and 8 minutes of entertainment. The first two seasons have all the original cast. The cast includes Peter McCauley as Professor George Challenger, Rachel Blakely as Marguerite Krux, Will Snow as Lord John Roxton, David Orth as Ned Malone, and Jennifer O'Dell as Veronica. It looks like Michael Sinelnikoff as Dr. Summerlee may have been killed off in the first season since he does not return. After that the Australian TV industry intervened with tax laws at the the end of the second season, both Ned and Veronica had to be guest stars and the series started to go down hill after that. I highly recommend the first two seasons. The picture and sound quality is good and although the set does not includes any extras it is well worth the price. Although it may not be as fresh as the first season, we are not at all disappointed. New stories, new lands, new tribes, and plenty of action keep our interests with our intrepid group. If you enjoyed the first season, I definitely recommend you buy the second season. This season ends with a cliffhanger and makes you want to buy the third season. Once again no extras, just 22 episodes of fun.

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Return to a land of adventure, fantasy and excitement in The Lost World, where a group of intrepid explorers fight for survival and discover a wondrous land never before seen by human eyes. Dinosaurs, man-beasts, and other startling creations make for hours of thrills in this action-packed television series taken from the pages of Sir Arthur Conan Doyle, presented here with the entire second season for you to enjoy again and again! Episodes include: All Or Nothing, Amazons, Tourist Season, Stone Cold, Divine Right, Skin Deep, London Calling, The Prisoner, The Games, The Source, Trophies, Voodoo Queen, The Guardians, Under Pressure, The Outlaw, The Quality Of Mercy, Mark Of The Beast, Survivor, The Pirate's Curse, The Visitor, A Man Of Vision, Into The Fire.

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Saturday, August 20, 2011

The Best of Star Trek: The Next Generation Review

The Best of Star Trek: The Next Generation
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"STAR TREK: THE NEXT GENERATION", the series which is noted for its popularity and winning 18 Emmy Awards and the first syndicated television show to be nominated for an Emmy for Best Dramatic Series. Back in the late 80's and early 90's, I practically became a Trekker because of this series. The well-written storylines, awesome acting and most of all, hoping that this series can generate interest in encouraging further development of technology and possibly more research and development in the space program.
The series was shot entirely in 35mm film, among the first shows to be recorded in Dolby Surround and would feature four feature films with the characters from the series and also help pave the way for three more "STAR TREK" related series. The TV series was released on VHS and all episodes released on DVD and in 2006, "Fan Collective" DVD box sets containing ten episodes that were voted by fans revolving around the theme of the "Borg", "Time Travel", "Q" and "Klingon".
With the release of the latest "Star Trek" film, Paramount has released the Blu-ray edition of the "Star Trek: The Original Series - First Season" and the first six films. On DVD, Paramount has released "THE BEST OF STAR TREK" for "The Original Series" and "The Next Generation".
"THE BEST OF STAR TREK THE NEXT GENERATION" features a total of four episodes: THE BEST OF BOTH WORLDS (PART I), THE BEST OF BOTH WORLDS (PART II), YESTERDAY'S ENTERPRISE and THE MEASURE OF A MAN.
VIDEO & AUDIO:
The following four "STAR TREK: THE NEXT GENERATION" episodes are featured in standard definition (4:3). Picture quality is what you would expect from a DVD but after seeing the recently released "STAR TREK: THE ORIGINAL SERIES SEASON 1' on High Definition, many people wonder if Paramount will give "STAR TREK: THE NEXT GENERATION" the same type of treatment and digitally remaster each episode. With that being said, quality is satisfactory for a TV series on DVD, especially for a series that was shown on television nearly 20 years ago.
Audio is featured in English 5.1 and Spanish and Portuguese Mono. "STAR TREK: THE NEXT GENERATION" was among the first TV series to adopt Dolby Surround, so the series sounds good for four episodes that were shown on television nearly 20 years ago. Again, I await the digital remastering of this series because I'm sure audio quality will definitely be revamped. "THE BEST OF BOTH WORLDS", both episodes feature a lot of action and a very involving musical score which sounds very good on DVD. Overall, audio quality is clear and because the series is more dialogue-based and music based, the episodes are front channel heavy.
As for subtitles, the series is presented in English, Spanish and Portuguese.
SPECIAL FEATURES:
"THE BEST OF STAR TREK THE NEXT GENERATION" features no special features but trailers.
JUDGMENT CALL:
With the release of the latest Star Trek film in theaters, Paramount is making sure they are releasing a good number of Star Trek related films and TV series on Blu-ray but two DVD's that would showcase both "Star Trek" and "Star Trek: The Next Generation" on DVD with four episodes.
Personally, any "Best of" is subject for criticism by fans. I think with a series that ran for nine years, anyone could have their own opinion of what their top 3 would be. Personally, I think three of the four episodes selected were well chosen but again, anyone can have their own opinion on what episode was their favorite.
For those who have owned the box sets or the fan collections, personally, there is no reason for them to buy this DVD. Unless one is a hardcore completest or want to own a "Star Trek" DVD with a "Best Of" attached to the name, then go for it. I can tell you that when "THE BEST OF BOTH WORLDS (PART 1)" was released on LaserDisc with two episodes, I was willing to pay nearly $35 way back then (both part 1 and part 2 were on two separate LD's back then). But I was such a big fan of ST:TNG that I even went as far as buying the original soundtrack for these two episodes.
So, for those who never owned the series, getting all four DVD's for a low price is quite cheap but spend a little more and you can possibly find the DVD season box sets pretty cheap these days. Overall, These four episodes are quite enjoyable but the DVD is quite barebones, it's a choice if these episodes are worth buying. Personally, for me, I'm still waiting for that digital remastered and digitally restored version of the "STAR TREK: THE NEXT GENERATION" series.
But assuming you have not bought any of the ST:TNG DVD's, you can't go wrong with this DVD release, as you do get four solid and enjoyable episodes for a very low, low price!

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Set in the 24th century and decades after the adventures of the original crew of the starship Enterprise, this new series is the long-awaited successor to the original Star Trek (1966). Under the command of Captain Jean-Luc Picard, the all new Enterprise NCC 1701-D travels out to distant planets to seek out new life and to boldly go where no one has gone before.

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Friday, June 10, 2011

Dollhouse: Season One (2009) Review

Dollhouse: Season One (2009)
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...this show is *actually* GOOD. What I mean is that Dollhouse is not good simply because Whedon fans worship at the shrine of Whedon and therefore cannot be trusted to tell you the real deal. In a lot of ways, it's a shame that this show was so hyped from the beginning, because it didn't get a chance to gradually develop a fanbase in its own right, but was instead touted as a show sustained merely by Whedon fans. While I admit to being a Whedon fan, which compelled me to watch it even through some shaky episodes, here's the scoop:
In the beginning of the show, what we learn is that a woman named Caroline (Eliza Dushku) has agreed (or was coerced) to download her personality into cyber storage, and some shady organization rents her body out to the highest bidder for various "engagements." We see that these engagements can involve sexual fantasy (hence the dubbing "cathouse" by the critics), or perhaps something that requires personality-combo platters in order to complete some sort of high risk, spy-type mission. A lot of negative reviews here refer to the first five episodes. And, yes, the first five establishing "mission of the week" episodes are surfacy and disconnected, but it's really the journey of the series arc (and character growth) that will ultimately make for some passionate tv. (And though these first five episodes were not the highlight of the season, there are some gems of ideas in there. For instance, one episode pays homage to Cornell's short story "The Most Dangerous Game", which is based on quite a chilling concept.)
Now that we've got the darned hype out of the way, let's talk about the show, as it evolves in Episode 6. (Incidentally, the theme of episode 6 is very similar to the unaired pilot episode on the dvd release, which was awesome, and epitomizes Joss's idea of the show - excellent). Now instead of just seeing the sexual fantasy episodes in terms of some hokey emporer's club cathouse (which, let's face it, is something that already exists out there for the kind of money these clients are paying), we start to see the NEEDS that these fantasies fulfill in the clients. And here's the thing: even though we do not approve of what they're doing, we start to sympathize with, and in some cases even begin to care about, these clients. And here is one place where we begin to see the brilliance and fascinating challenge that this show presents, and will continue to present, to its viewers (bring on Neuromancer!).
This is a show that lives and thrives in a very gray area - it's unclear who the heroes might or might not be, and this is shaping up to be a nuanced, character-driven ensemble show (with an extremely talented cast). At its heart, this is a show about the identity of "self" without memory. About science and ethics. About exposing our darkest human fantasies, and exploring the root of the needs that create them. The show is not just about the "dolls," but is also about the clients - WHY do they need a fake person to save them? And what could have possibly compelled these "dolls" to have given away their memories in the first place? And then there's the dollhouse itself...why does it exist? Who are these people that babysit and program the dolls - what's their story?
The extras on this dvd set are worth buying, especially the unaired thirteenth episode, "Epitaph One". Without giving too much away, it's a little like CLOVERFIELD meets THE MATRIX meets SERENITY, Dollhouse style. The commentaries are great - Joss has much to say about episode 6 and a very conspicuous not much to say about episode 1 ("oh, look, people are pretty, and I'm hungry right now"), which is exactly what you'd expect, especially given how amazing the unaired pilot episode was.
All in all, this show is a little bit ALIAS (except replace awesome disguises with personalities), a little bit BATTLESTAR GALACTICA (except replace "Cylon" with "doll"), a little bit LOST (except replace "island" with "dollhouse"), and a lot Whedon (exploring the essence of humanity and individual identity through grandiose metaphor). Assuming that the show is allowed to breathe and grow into its full potential, we're in for even more thought-provoking, heart-breaking, butt-kicking entertainment. Trust me, you don't want to miss out on the ride!
**Addition to review**
While the actors who were less well known (to me) on this show were all outstanding, here are some highlights:
Season 1:
Eliza Dushku (Buffy the Vampire Slayer, Angel, Tru Calling)
Tahmoh Penikett (Battlestar Galactica)
Amy Acker (Angel, Alias)
Other guest stars you may recognize from Firefly, Buffy, and Dr. Horrible's Sing Along Blog
Announced (by Fox press release) for Season 2:
Summer Glau (Firefly, Terminator: The Sarah Connor Chronicles)
Alexis Denisof (Angel, Buffy the Vampire Slayer)
Jamie Bamber (Battlestar Galactica)
Keith Kerridine (Dexter)

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From Joss Whedon comes a new groundbreaking show starring Eliza Dushku as Echo, an operative in an underground organization that provides hired personas for various missions.

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Thursday, June 2, 2011

Star Trek: The Original Series - Season 1 Review

Star Trek: The Original Series - Season 1
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The Program:
If I could find something new to say about Star Trek, that would be a feat in itself. Let it suffice to say that it's the most successful TV sci-fi franchise of all time, was a pioneering show in many respects, and is just darned entertaining to watch, whether you're a "true believer" or not.
Season One of the Original Series is a great place to start for newbies and fanatics alike. We are introduced to the Romulans, Klingons, Khan, Starfleet, the Federation of Planets, and the whole crew short of Chekov, who appears in Season Two. We are presented with 29 episodes, at least 6 of which are absolute masterpieces, and another 10 of which are really, really good. In this package, you'll get classics such as "The City on The Edge of Forever," "Where No Man Has Gone Before," "Balance of Terror," "The Menagerie," "The Devil In The Dark," and "Space Seed." Overall, it's the Original Series' strongest season, and it only has two real clunkers in the group ("Shore Leave" and "The Galileo Seven").
There's really not a whole lot to be faulted in this season. It's an absolutely rock solid item for any Trekkie, and indeed any sci-fi fan, to own.
The Blu-Ray:
So the question becomes, how is the presentation?
Well, it should be said right off the bat that the HD transfers of these shows are absolutely sparkling. Detail is through the roof, making every smile line, button and dial, star, and ship detail just pop right off the screen. Black levels are rock solid, especially in space scenes. Color saturation is deeper than deep, and bright colors are radiant in a way that the previous DVDs just can't replicate. The show is presented in its original 4:3 aspect ratio - thank goodness CBS/Paramount didn't try to stretch these shows in a manner similar to many "HD" rebroadcasts of older shows on cable.
The Original Series was shot on 35 mm film stock, which has more detail than any 480i TV broadcast can resolve (or 480p DVD for that matter). Thus, it is truly benefited by a high definition transfer. This isn't a release where you look at it and say "well, it looks pretty good for what it is." In fact, it has just as much fine detail and the same superior color as the newest shows currently broadcast on TV in HD. And it really does blow away the previous DVDs, too. There are, of course, a few shots here and there that betray their age. This is just the nature of the beast when dealing with 40 year old celluloid elements. But all told, a good 90% of the shots are competitive with modern HD. So as far as a video rating goes, this is 5 star material all the way.
Audio is a tad problematic. Some of the sound balancing seems to be a bit off - dialogue can have a tough time keeping up with music and sound effects. It's perfectly clear, don't get me wrong. But I found myself fiddling with the volume controls more than I'd like throughout an episode. On the other hand, the audio in general is great. The re-recorded theme song is breathtaking - especially when the Enterprise "wooosh-es" by from the front speakers to the rear surrounds. Red Alert klaxons and atmospheric sounds generally are mixed towards the surround channels. It's very cool.
Special effects sequences have been redone with modern CGI and in high definition. For the most part they look great, and it is quite refreshing in the era of the "Lucas-ing" (or is it Abrams-ifying?) of old material that the producers of the new effects went to such great lengths to respect the original design aesthetic of the 1960's material. I will say I kind of wish they had done new model work, as CG still just isn't to the point where it looks "real" (setting aside the fact that this is inherently unreal stuff being filmed...). But I understand that it would never have been done in that case, since it costs so much more these days to do model work as opposed to CGI. On balance, having new effects is much more good than bad.
But the kicker, and the reason it would be no big deal even if one hated the new effects, is the fact that the original effects are on the same disc. You can watch an entire show with the old or new effects, or, if you'd prefer to irritate your friends and significant others, switch between them in real time with the "angle" button on your remote. Are you paying attention, George Lucas? This is what we want in a Star Wars Blu-Ray! The beautiful new with the respected old, side-by-side. Big kudos go to CBS/Paramount and the Trek team for the job they've done here.
Also included are several extra features. Mini-documentaries, mostly reprised from the previous DVD set, are included one on each disc. The "pop-up" text commentary from the DVD has been retained as "Starfleet Access," a combination video-text commentary. The videos are nice, but they talk over the audio from the episode, whereas the older text commentary did not interfere with the audio. I wish both could have been included. New features include a mini-doc on the HD restoration and effects, and a set of "home movies" from an extra on the Trek set. Especially cool is an interactive "tour" of the original series Enterprise, showing many nooks and crannies not often seen or discussed, on the same gorgeous HD CGI model that the new shots use. All in all, a healthy set of extras.
The packaging is nowhere near as bad as some previous DVD Trek seasons, but it still has its issues. Why can we not be presented with episode titles on each disc? The discs are just blank silver paint, with loads of empty space that helpful titles could have occupied. Instead, the episodes are listed on the INSIDE of the Blu-Ray insert, and are covered by both the filler material in the front, and by a disc in back. Being required to pop out a disc to see the contents of three more is really not convenient.
*****
The audio niggles and the packaging stupidity might be enough to make some downgrade this to a four star rating. I am swayed however, by the astounding HD clarity of the video, and the wonderful options for old and new special effects. The other things are minor issues in the scheme of things. This is a tremendously good presentation of an absolutely seminal television show and science fiction saga. The respect with which the "restoration" was handled is truly commendable.
Any Trekkie/Trekker who has a Blu-Ray player should own this set. It's just that simple. If you are just a general sci-fi fan, you also should give this serious consideration.

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Space. The Final Frontier. The U.S.S. Enterprise embarks on a five year mission to explore the galaxy. The Enterprise is under the command of Captain James T. Kirk. The First Officer is Mr. Spock, from the planet Vulcan. The Chief Medical Officer is Dr. Leonard 'Bones' McCoy. With a determined crew, the Enterprise encounters Klingons, Romulans, time paradoxes, tribbles and genetic supermen lead by Khan Noonian Singh. Their mission is to explore strange new worlds, to seek new life and new civilizations, to boldly go where no man has gone before.

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Wednesday, June 1, 2011

Quantum Leap - The Complete First Season (1989) Review

Quantum Leap - The Complete First Season (1989)
Average Reviews:

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Uh-oh. Deja-vu all over again. I won't comment too much on the show itself because anyone looking at this is probably considering buying it or they wouldn't be here reading. Quantum Leap was another of my favorite shows next to Northern Exposure. Unfortunately, like Northern Exposure the first season of Quantum Leap was a late season fill-in that only produced 8 episodes the first season. And like Northern Exposure, this DVD set is overpriced. Shame shame. Taking advantage of paying customers, the companies in charge of distribution should reconsider the cost and how much they may be driving good customers away. 5 stars for the show, 1 for the cost= 3 stars average.

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Theorizing that one could time travel within his own lifetime, Dr. Sam Beckett stepped into the Quantum Leap accelerator and Vanished...He woke to find himself trapped in the past, facing mirror images that were not his own and driven by an unknown force to change history for the better. His only guide on this journey is Al, an observer from his own time, who appears in the form of a hologram that only Sam can see and hear. And so Dr. Beckett finds himself leaping from life to life, striving to put right what once went wrong and hoping each time that his next leap will be the leap home.

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