True Blood: The Complete First Season (HBO Series) (2009) Review

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(More customer reviews)Rabbit ears on pawn shop televisions are about my speed; needless to say, I don't watch television. However, kind friends mainline this series two or three shows at a time, and they got me hooked: were I to be completely honest, I might have to admit to giving serious thought to obtaining this by less-than-legal-means. It actually might be worth jail time.
Speaking as someone who was born in America's deep South, this series captures everything about Louisiana that is appealing. (Spanish Moss, vampires, latent racism and homophobia, the dichotomy between Christian Southern values and patriarchal, brutality-enforced poverty, sassy Southern women who know how to fight with chains, etc.)
What it makes it really stand out, though, is the casting: there isn't a bad actor in the bunch--and they are all believable as Southern archetypes. Nelsan Ellis as the short order cook/drug dealer Lafayette and Stephen Moyer and Anna Paquin as the romantic leads give mesmerizing performances.
True Blood, or possibly the original series of books from which it arose, is an arresting set of stories: Faulkner says that the only thing really worth writing about (or thinking about, by extension) is the human heart in conflict with itself. The Southern United States depicted in True Blood is conflict embodied--you are a supposed to be a good Christian, and follow the rules of an established society, but you live in the middle of a swamp so dense and wild that it believably could be home to minions of Satan, like vampires.
It's a lot to think about. If you are one of those artistic/professional types with too much to do, don't start watching this; it becomes an obsession.
And Now: A Short Review of the Actual DVD--this is the regular, not Blu-Ray version, as my $100.00, cigarette-burned, pawn shop t.v. doesn't do Blu-Ray.
Price: $10.00 less than my local electronics store.
Extras: There is some very funny stuff here that was not on the original websites for the series: ads for lawyers for vampires; vampire hotels; vampire dating, all done with the appropriate levels of fake bad acting and camp.
Don't be afraid to look at the French language ad as well. It uses all of six French words which you probably already know.
There is also a short video parody of someone like Hugh Downs doing an in-depth report on vampires. Complete with bad video backgrounds for foreign locales and hokey vampire internet conspiracies, this is a well-done, satirical background take on some of the 'vampire movement's more glossed-over history.
One negative: the commentary tracks play over the original episodes; it's neat to watch for about five minutes, and then it's a little bit like dissecting a romantic relationship--the mystery dies once the magic involved gets out into the bright light of day.
However, overall, True Blood Season One is well worth watching again--particularly in the pilot episode, the acting, and the effort the cast and crew put into characterization and detail, is even more obvious the second time around.


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TRUE BLOOD chronicles the backwoods Louisiana town of Bon Temps... where vampires have emerged from the coffin, and no longer need humans for their fix. Sookie Stackhouse (Anna Paquin, Golden Globe(R)-winner for "True Blood", Academy Award®-winner for "The Piano") works as a waitress at the rural bar Merlotte's. Though outwardly a typical young woman, she keeps a dangerous secret: she has the ability to hear the thoughts of others. Her situation is further complicated when the bar gets its first vampire patron - 173-year old Bill Compton (Steven Moyer, "Quills") - and the two outsiders are immediately drawn to each other. Delivering the best of what audiences have come to expect from Creator and Executive Producer Alan Ball (writer of Oscar®-winning Best Picture "American Beauty", creator of the Emmy® Award-winning HBO® series "Six Feet Under"), TRUE BLOOD is a dark and sexy tale that boldly delves into the heart - and the neck - of the Deep South.
DVD Features:Audio CommentaryDocumentaryOther

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Tales from the Crypt: The Complete First Season (1989) Review

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(More customer reviews)Welcome to my review, horror freaks! So glad you could join me and read about the 6 eerie episodes of HBO's "Tales from the Crypt," the very ones that helped the series rise from its tomb back in 1989. It's been 9 long years since the show went off the air, and until now, I've been waiting for the Crypt Keeper's putrid puns and awful alliterations to be forever preserved on DVD format. And why not? The show lasted a full 7 seasons and featured many of the biggest actors and directors in Hollywood. Each tale carefully incorporates the grisly black humor William M. Gaines EC comic books, which were almost banned in the 1950's. Did I say 'almost?' Anyway, as other HBO programs like "Dream On," "Deadwood," and "Carnivale" were packaged and displayed on Best Buy shelves, I wondered if "Tales" would ever be among them. Well, the time has finally arrived, creeps! As stated by John Kassir himself, Warner Brothers wisely chose to create these discs so we ourselves can scare the next generation of kiddies to come. Even better is the fact that the second disc of this Season 1 set will contain a sickening array of never-before-seen extras. I don't want to give the surprises away, but I will briefly tell you the stories you are about to see. Enter, if you dare!
"Dig that Cat...He's Real Gone" stars Joe Pantoliano as Ulric, a homeless alcoholic who becomes a rich and famous sideshow performer after a mad doctor (Gustav Vintas) surgically implants a cat's gland into Ulric's brain. This procedure allows him to die and return to life nine times. Morbid hilarity ensues as a carnival barker (Robert Wuhl) presents Ulric the Undying to astounded audiences who watch him get electrocuted, hanged, drowned in a tank, and shot with an arrow (among other things).
In "The Man Who was Death," Bill Sadler (who eventually starred in the 1995 Tales from the Crypt film "Demon Knight") plays Niles Talbot, a state executioner who loses his job after spending 12 years pulling the switch. This resulted because the government unexpectantly repealed the death penalty. However, not wanting to abandon his favorite occupation, Niles drifts to the other side of the law by killing criminals who were acquitted by the courts.
The frightening and festive "And All Through the House" stars Mary Ellen Trainor as a devious housewife named Elizabeth, who brutally bludgeons her husband with a poker to collect on an insurance policy. Just when she is ready to eliminate the corpse, a homicidal maniac donning a Santa Claus costume (Larry Drake) terrorizes her with an axe. Even worse, Elizabeth can't call the police for fear of being convicted of first degree murder and losing custody of her daughter.
Vanity and greed play a central role in "Only Sin Deep," a tale about a street prostitute named Sylvia Vane (Lea Thompson). After killing a pimp and stealing his gold jewelry, she willingly sells her beauty to a strange pawnbroker (Britt Leach) in exchange for $10,000 cash. At first, Sylvia wins over the affections of a suave playboy millionaire. But immediately afterward, as a result of some black magic performed by the pawnbroker, she gets increasingly distraught as her face quickly ages. Desperate to buy back her looks, she shoots her rich lover dead, but is then forced to avoid prison by staying ugly for life.
Prepare for a honeymoon hell in "Lover Come Hack To Me." Here, a cunning bachelor named Charles (Stephen Shellen) marries a naive Peggy (Amanda Plummer) for her inheritance money. On a rainy night, after accidentally getting stuck in an abandoned mansion, the two go up to the bedroom and make perfect love for the very first time. Originally, Charles was going to kill Peggy and stage the crime to look like a burglary. But he soon discovers that her family history is cursed, and that much darker skeletons lie in the bride's closet.
Last but not least is one of my favorite episodes, "Collection Completed." M. Emmet Walsh plays Jonas, a grouchy tool salesman who finally gets to retire after 47 years on the job. His slightly odd wife Anita (Audra Lindley) has developed a fondness for pets...alot of pets. In fact, she keeps a zoo-full of cats, dogs, and birds in the house. On top of that, she talks to squirrels and runs an aquarium in the bathtub. Obviously, such an attachment to animals is enough to drive Jonas up the wall! Inevitably, he gets sick and tired of not having enough attention, and he gleefully takes up taxidermy as a hobby. But those poor animals weren't the only living creatures that ended up getting stuffed.


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Based on the legendary and gruesome EC Comics from publisher William Gaines, this horror anthology featured stories of murder, the super natural, gore and humor and always had a twist ending of sorts. Some of Hollywood's biggest names took part, either working in front or behind the camera. Hosting duties fell to everyone's favorite decaying corpse, the Cryptkeeper. The success of this series spawned a Saturday morning cartoon series (Tales From the Cryptkeeper), a short-lived Saturday morning game show on CBS (Secrets of the Cryptkeeper's Haunted House) and lots of merchandise. Two feature films (Demon Knight and Bordello of Blood) were also produced and released in the late 90's. The TV series originally aired on HBO, but was later syndicated to Fox, the Sci-Fi Channel, and most recently AMC. Despite being a short season (only 6 episodes), Season 1 enjoyed the highest ratings in its HBO airings.

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Oz: The Complete Seasons 1-6 (1997) Review

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(More customer reviews)About the show:
Wow. From the first episode you feel as if you are hooked in, although I dont want to dive too much into the show itself (just skim it) you find that this show, apart from its hard hitting grit and honesty (maybe it is? I dont know, ive never been to prison) dealing with drugs, ethnic grouping, racist attacks, homosexuality, violence and spiritual guidance, this show has something for everyone to walk away with and contemplate as it does dictate a lot of what our soceity is like, even if we have to look at a test subject that is criminal and locked up.
Few warnings though:
Not for the faint hearted: If you are conservative in nature, I would not suggest watching this show, as some of what happens is REALLY harsh (especially as seasons go on)
Not for children: I personally dont believe that people who are under the age of 17 should be watching this show, as it contains graphic sexual scenes and nudity.
Dont watch this if you are a devote prison break fan: This show just makes it look like a joke! Although only the first season of the show was in prison, the realism (if they even tried for that) just doesnt compare to how hard up prisoners really have it, which i feel OZ may convey much better. Tea bag? More like hand bag! Compared to characters like Shillinger and Ada Beisi he is TAME.On the continual arguments with pricing and dvd quality:
Despite claims in these previous reviews, I have yet to find a problem with this six season set.
Although, I have to admit, the menu's are seemingly primative and quite long in loading up (panning through computer graphics etc which gets annoying) but the quality is still great.
I also dont see how this boxset is seen as expensive. At the time fo this review (28/7/07) the entire show in this offer costs $208, If you look to buy all seasons seperatly, it will cost you an extra $8 dollars, which you could just spend on getting a better delivery service.
When I bought this show (about 4 months ago) I payed about $170. So at this point in time I do find it a bit pricey and would suggest watching it since prices go up and down. I personally feel though even at 208 USD, its still worth it.

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DVD Features: Audio commentaries Biographies Deleted scenes Episodic previews Episodic recaps Featurettes Music video Original cast audition tapes Exclusive extended cut of the series finale and more

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Carnivale: The Complete First Season (2003) Review

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(More customer reviews)"Carnivàle" is part of small but growing number of quality television shows that are committed to the sort of lengthy and complex story arc that was once the province of the mini-series. But shows like "Wiseguy" and "Buffy the Vampire Slayer" in the past and current offerings such as "24" and "Lost" have paved the way for television shows that emphasize the big picture rather than the more traditional episodic approach. As such, "Carnivàle" is most similar to "Lost," in that we are pretty sure we know what will happen at the end of the journey, but we have no idea how many seasons down the road that end game will be played out. Does creator Daniel Knauf ("Wolf Lake") have an ambitious five-year plan similar to what J. Michael Straczynski had in mind from the start for "Babylon 5"? We will have to wait and see.
With a show like "Carnivàle" it is easy (and fun) to play with various antecedents that explain the series in simple but readily understood terms. From the start I was thinking of the show as a cross between John Steinbeck's "The Grapes of Wrath," Tod Browning's "Freaks," and Stephen King's "The Stand," all of which I consider to be classics in their respective genres. But there are other options as well (with Michael J. Anderson in the cast "Twin Peaks" becomes an obvious choice), which simply speaks to the potential of "Carnivàle" to resonate with its viewers.
The premise of the show is provided as the opening narration: "Before the beginning, after the great war between Heaven and Hell, God created the Earth and gave dominion over it to the crafty ape he called man. And to each generation was born a creature of light and a creature of darkness. And great armies clashed by night in the ancient war between good and evil. There was magic then, nobility, and unimaginable cruelty. And so it was until the day that a false sun exploded over Trinity, and man forever traded away wonder for reason." The words are spoken by Samson (Anderson), who runs the traveling circus called Carnivàle, but answers to the unseen "Management" figure (voiced by an uncredited Linda Hunt).
While traveling across the Oklahoma Dust Bowl in 1934, the Carnivàle comes across Ben Hawkins (Nick Stahl), who has escaped from prison and returned home in time to watch his mother (Lucinda Jenney) die and bury here before the tractors level their shack. Management wants Ben to join the caravan and given his predicament with the law, he agrees. As the Carnivàle travels down to Texas we learn that Ben is plagued by strange visions of the trenches in the Great War and that he has the power to heal. Meanwhile, in the California town of Mintern a minister named Brother Justin Crowe (Clancy Brown) believes that God is telling him what to minister to the growing number of Okies and other migrant workers streaming west, fleeing the Dust Bowl. Those who oppose Brother Justin's plans find themselves punished for standing in the way.
Ben Hawkins and Brother Justin are the creatures of light and darkness foretold, and while their visions contain glimpses of each other, they are not going to meet during this first season of "Carnivàle." Their meeting is inevitable and clearly will constitute the apocalyptic conclusion of this series, but at this point they are still coming to terms with their places in this strange universe. Each man is trying to find out about their mysterious past, where they came from, and what they can do with their powers. Eventually they will have to decide what they should do with those powers and at the end of the first season they face what will certainly be the first of several escelating crucibles.
While the focus is primarily on Ben Hawkins getting used to his power and Brother Justin doing his work with his older sister, Iris (Amy Madigan), there is also life in the travelling circus during the Great Depression. Ben is of interest to Lodz (Patrick Bachauh), a mentalist who takes an active interest in the young man's powers and who is involved with Lila (Debra Christofferson), the bearded lady. Meanwhile, Ben has taken an interest in Ruthie (Adrienne Barbeau), the snake charmer who is also the mother of the strong man, Gabriel (Brian Turk). The person interested in Ben romantically appears to be Sophie (Clea DuVall), the tarot card reader who is also the medium for her comatose mother, Apollonia (Diane Salinger), who is pyschic. Jonesy (Tim Dekay), the manger of the rousties, is in love with Sophie, but he gets involved with the Dreifuss family that runs the Cootch Show, Stumpy (Toby Huss), the father who is the emcee, mother Rita Sue (Cynthia Ettinger), and daughters Dora Mae (Amanda Aday) and Libby (Carla Gallo).
One of the strengths of "Carnivàle" is that what is going on in that travelling circus is fairly interesting even without throwing young Ben Hawkins into the mix. There is something intrinsically fascinating about how carny folk milk the marks for money, and there is a sense of personal pride in their professionalism that gives them a certain level of dignity. In the short term, I do not know if I like the idea that not all of them are going to be alive next season. Then, of course, there is the whole look of the show. Suffice it to say "Carnivàle" won Emmys for Outstanding Art Direction and Cinematography for a One-Camera Series, along with those for Costumes, Hairstyling, and Main Title Design (you could do a pretty good master's thesis just decoding that last one).
The DVD series for the first season comes with three audio commentaries, a really short featurette on the making of the series, and a giant group discussion with the cast. The commentary for "Milfay," the pilot episode, is the most important one, and twice as good as the other two put together. It has Knauf, director Rodrigo Garcia, and executive producer Howard Klein on it, with the creator/writer and director doing most of the talking, who focus on how they cast the show and how the first episode evolved. We also get the "Previously On" and "Next On" bits that HBO created for each episode.
I recognize that "Carnivàle" is going to be a very maddening show to those who want things to move along at a brisk pace, and there will be those who will abandon the show long before it gets to the promised land (when the circus gets to California, probably in a couple of seasons). But for those of us who remember how "Twin Peaks" fell apart when the hook of "Who killed Laura Palmer?" became the line and (literal) sinker, or who felt "The X-Files" was adding to its mythology without getting any closer to a big finish, the idea that "Carnivàle" has been created with a definitive end point in mind provide some measure of comfort. This first season provides an initial level of confidence and the potential for more, but in the end how good this series is with come down to the quality of the final "blow off." Given that the origin of "carnival" goes back to the Roman festivals of Saturnalia and Lupercalia where there was a temporary subversion of civil order and that the term now refers to the holiday period of the two weeks before Lent, it could be something pretty good. Besides, it is not on television: it is on HBO.

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1934. The Dustbowl. The last great age of magic. In a time of titanic sandstorms, vile plagues, drought and pistilence - signs of God's fury and harbingers of the Apocalypse - the final conflict between good and evil is about to begin. The battle will take place in the Heartland of an empire called America. And when it is over, man will forever trade away wonder for reason. See the conflict of good vs. evil played out against a pair of vivid and unusual backdrops: a traveling carnival working the American Dustbowl circuit, and an evangelical ministry in California. DVD Features:Audio Commentary:3 Audio Commentaries with Creator Daniel Knauf, Executive Producer Howard Klein and Directors Rodrigo Garcia and Jeremy PodeswaFeaturette:"Making of Carnivale" Featurette detailing how set and costume designers collaborated to achieve the look of the Dustbowl in the 1930s

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Oz: The Complete Second Season (1998) Review

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(More customer reviews)At first glance, Tom Fontana's extraordinary television series "Oz" seems to be a hyper-naturalistic view of the hellish life behind bars in American prisons. It is that, of course. But the title is a tip-off that Fontana also has larger, more mythic concerns on his mind. His tortured Catholicism plays a role in the world-view presented here, as it did in his wonderful earlier series "Homicide: Life on the Street" and "St. Elsewhere." It turns out that Oz (the prison) is a kind of purgatory where wounded spirits struggle with good and evil. Even the best (like administators Tim McManus and Leo Glynn) are highly fallible, even misguided and foolish at times. And even the worst prisoners have sparks of humanity in them. These worst include the amazingly terrifying Simon Adebisi, the larger-than-life Nigerian criminal who controls the heroin trade in Oz. And J.K. Simmons deserves some kind of special award for his portrayal of Vern Schillinger, the leader of the neo-Nazi prisoners. He is the worst human being imaginable, but Simmons plays him with such style and elan that you have to grant the devil his due. As the recappers on "Television Without Pity" put it, if "Oz" were more well known, Schillinger would join Hannibal Lecter and Norman Bates in the Fictional Villains Hall of Fame.
The battle for the souls of these men is best shown in the ordeal of Tobias Beecher, an upper-class lawyer who is convicted of a drunk-driving homicide and finds himself in the middle of this inferno. His horrible experiences in Oz reach a Job-like intensity. The second season sees the arrival of actor Christopher Meloni as the sociopathic Chris Keller. The three-way tango of betrayal between Keller, Beecher, and Schillinger is absolutely chilling. The storytelling of "Oz" is intricate, densely layered, and paced like a rocket taking off. If you miss five minutes of a single episode you may miss the fate of a character's entire life being sealed. There is a heightened, almost magic realism to much of what goes on. (In the land of Oz, it only takes a few weeks from a death sentenced being pronounced until its execution; and each episode is narrated by inmate Augustus Hill inside some kind of omni-aware, postmodern space.) This can be a little disconcerting at first, but the final impact is exhilarating. If you can take the intense (but never gratuitous) violence and the hair-raising prison sex, "Oz" is a wild ride from one of the best writers working in television.

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OZ:THE COMPLETE SECOND SEASON - DVD Movie

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Oz: The Complete First Season (1997) Review

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(More customer reviews)OZ--The Prison Drama that airs on HBO--Home Box Office. If you have never seen OZ, THIS IS FOR ADULTS ONLY. The episodes contain male full frontal nudity, sexual situations, violence and mature themes. The acting is incredible. The situations,the dialogue and the sets are realistic. This drama is gritty. A plus to the cast is Academy Award Winner Rita Moreno. If these episodes in the Season One collection don't get your heart startled. It's only the beginning. Get involved in the storyline. Watch every episode in proper order. And after you are finished with all eight episodes of Season One. Buy Season Two and get ready for a more mature hard-hitting season. And remember, ADULTS ONLY!

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From the Oscar and Emmy winning team of Berry Levinson (Rain Man, Diner) and Tom Fontana, OZ is set deep inside the Oswald Maximum Security Prison, in an experimental unit known as Emerald City. Em City focuses on prisoner rehabilitation over public retribution. There's one set of rules from the outside looking in, and another once you're inside. Every group - Muslims, Latinos, Italians, Aryans - stick close to their mutual friends and terrorizes their mutual enemies. OZ is a wake-up call.DVD Features:Audio Commentary:Two audio commentaries by series creator Tom Fontana and star Lee TergesenBiographiesDeleted Scenes:WIth commentary by Tom FontanaEpisodic PreviewsEpisodic RecapsFeaturetteMusic VideoScene Access

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Deadwood: The Complete Series (2008) Review

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(More customer reviews)Of all the TV series I have watched beginning to end, Deadwood is the one I keep coming back to. Even though I've seen every episode countless times, I still pick up something new with each viewing. It still makes me laugh. It still makes me think. It still gives me chills, and it still makes me cry. It is a brilliant man, executive producer and head writer David Milch, at the peak of his powers as a storyteller. Watching Deadwood is like reading a 1200 page novel from 150 years ago. Broad themes in a small setting, complex and conflicted characters, and detailed scenery make for a completely immersive experience.
The plot of the series revolves around where order and community come from. Deadwood was settled outside of U.S. territory in the 1870's after a gold rush, thus leaving it in complete anarchy. Each of the three seasons is well-structured in terms of conflict. The first season deals with how the inhabitants of the town arrange themselves in this lawless town. The second season has the varying factions band together to thwart an invasive government. The third season pits the now-legitimate town against the hyper-capitalism of mining magnate George Hearst. Within that structure is several smaller stories that both manage to stand alone and meld with the larger themes.
The real strength of Deadwood is the characters. Milch has created perfectly fleshed-out portrayals of historical figures and some made-up ones, too. Saloon owner Al Swearengen is a ruthless operator who cannot help but long for an easier, more peaceful way. Sheriff Seth Bullock demands justice from those around him, but constantly surrenders to his temper and his libido. Calamity Jane is a many layered character, tough and kind, offensive and caring, vulnerable and impenetrable all at the same time. These are only a sampling of the many deep and conflicted characters in the show. By the third season, there were nearly 30 cast regulars, all of which were people you genuinely cared about.
The only thing that could keep people away from Deadwood is the language. Milch is a lover of dialogue, and he writes in complicated verse. More than one viewing is required to even catch the most basic plots and motivations. What can be equally off-putting is the vulgarity. Those with sensitve ears can expect to be bombarded with f-bombs on a semi-sentence basis. If you're having a hard time getting through the first couple episodes, check out the extras on the first season. Milch explains why he wrote the way he did in a way that made perfect sense to me, both from a creative and an historical sense. In those extras, he will divulge a lot of spoilers, but it's far better to experience the series than be turned off by its profanity.
The Complete DVD set, in addition to the many commentaries and extras included in the original single season releases, contains new material that makes the upgrade worth it. Milch explains where he would've taken Deadwood had he been allowed to continue it in the most valuable addition. A lengthy roundtable discussion with the actors is very entertaining. Also included is actor Titus Welliver giving a handful of convincing impressions of actors auditioning for the part of Swearengen. The size of this set also equals one single season release, so if your shelf space is limited, the complete series set gets another plus.
In closing, Deadwood affected me more than any TV show I've ever watched. I jumped out of my chair to cheer on Dan while he fought Hearst's man Captain Turner in a brutal fight to the death. I quote Calamity Jane's beautiful description of a revealing dream. I cried when Jewel asks Doc to "give her a whirl." I could feel the joy in the town after Tom Nuttal's big ride. For anyone who wants the most out of their TV shows, Deadwood is truly perfect.

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The Black Hills of South Dakota. Witness the birth of an American frontier town - and the ruthless power struggle between its just and unjust pioneers.In an age of plunder and greed, the richest gold strike in American history draws a mob of restless misfits to an outlaw settlement where everything - and everyone - has a price. The settlers, ranging from an ex-lawman to a scheming saloon owner to the legendary Wild Bill Hickok and Calamity Jane, share a constant restlessness of spirit, and survive by any means necessary. Welcome to Deadwood...a hell of a place to make your fortune.

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Six Feet Under - The Complete Fourth Season (2001) Review

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(More customer reviews)For some strange reason unbeknownst to me, many people seem to find this season "too depressing," "slow," "boring," etc, etc. I'm in complete disagreement with this.
In my opinion, while the season is a bit darker than the last three, it perfects the morbid, slightly-depressed and slightly-humourous tone the series always had. A little less humor, yes. A little more drama, you bet. But why is that such a bad thing when the drama is so good?
Personal highlights: When David finds unrelenting terror in "That's My Dog," Claire and her high antics with her artsy friends in "Terror Starts at Home," and the sinister atmosphere in most of the season finale "Untitled."
Highly recommended.

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There's a new pecking order at the Fisher & Diaz funeral home, but Nate, Ruth, David and Claire still try to make every day above ground a good one. Death and dysfunction are par for the course in The Complete Fourth Season of Six Feet Under. DVD Features:Audio Commentary:7 Audio commentaries w/ Alan Ball, writers and directors on episodes 1, 3, 5, 6, 7, 11, 12Episodic Previews:Episodic Previews and Recaps, Season 1-3 Recap Featurette:Cut By Cut: Editing Six Feet Under--a featurette on how an episode is put together in the editing room

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The Best of Real Sex - HBO Presents Review

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(More customer reviews)As the title implies, this video focuses on real sex, that is, real, everyday people and their sex related activities. The topics run the gamut from bondage between a married couple to a silicone-enhanced nude beauty pageant with strippers as contestants. Each segment is divided by short sequences where the "real sex" team ask people on the street about their sex lives. These are enjoyable to watch, and are often quite funny. As for the segments themselves, the best ones involve regular people doing sexy things. There is a (far too) brief segment about a middle-aged woman who teaches a masturbation clinic for women who have never had an orgasm. There is a segment about a "Guerilla fine-art photographer" who drives his models to streets in New York city, has them strip, and then takes artistic pictures of them. It is exciting to see these natural and very attractive people suddenly become naked in these public places. If you have ever fantasized about public nudity, buy the video for this segment alone. There is a segment about a forty-something couple who practice light bondage with each other. Perhaps the best segment is a long study of a sexual awakening camp in Hawaii. The men and women seperate into their respective groups, strip, hug, and kiss. The next day the men and women meet again in a large room and get in groups of four, get naked, scream and shake themselves into a foaming frenzy, then one person in the group lays on the floor, and the three others rub, lick, and suck them into the best orgasms of their lives. Seeing the people in this segment totally lose their inhibitions and become trully sexually liberated individulas is very exciting to watch. There are a few dud segments in this video, such as a long segment about a bunch of strippers who participate in a Miss Nude World contest, and an extremely long segment about transvestites. The strippers are too plastic, and the transvestites are too gaudy and grating for too long. But, since this is a compilation video, it's to be expected that not every segment will be as good as the next. There is something for everyone, though. This is truly a unique video that affords an unprecedented glimpse into the private sexual worlds of regular people just like you and me. They are (for the most part) unposed, unrehearsed, and totally unashamed in front of the cameras. It is a rare and erotic treat not to be missed!

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